This Is one of the major
advantages of paper clay over a traditional clay, being able to continuously
work on a piece even though the base piece is bone dry, in this case, adding
wet paper clay onto a bone dry paper clay base. I use this technique often in
my sculptures.
In this current project,
I decided to add some texture to the pyramid base of my new succulent planter.
I find the smooth sides too blah and in need of some interesting texture for
the glaze to grab onto. The base was recycled from another project so I was
happy to be able to use it with a bit of modification.
I knew I wanted some
thick heavy texutre so I lathered on a thick layer of paper clay slip the
consistency of heavy oatmeal on each side, and then proceeded to gouge deep
furrows in the still wet paper clay slip to get my design. This process was
repeated for each of the four sides of the base. The piece was then set out to
dry. Then it will be ready for bisque fire.
2 comments:
Did you have to wet the bone dry base first? Is so, how wet did you make it?
Yes, I "slopped" on thick, wet paper clay slurry on to the bone dry base. No problem adding wet paper clay to dry.
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