Grogzilla, Godzilla, Moxilla, etc

I found out about this high-grogged NON-paperclay called Grogzilla™ when I attended my first paperclay workshop with Graham Hay in Santa Clara at Clay Planet back in 2007. It is manufactured by Clay Planet and is rated to Cone 10.

What attracted me to this "traditional/regular" clay was its rough texture and the little bits of "white godzilla teeth." That was my first impression of the feldspar crystals that popped from its surface. (See close up shot below) It does look like little dinosaur teeth so I thought the name was quite appropriate.

This hand-pinched bowl was fired in Steve Davis' kazegama ash kiln at Aardvark. I applied a thin layer of flashing slip on the top 1/3 of the bowl. The rest of the bowl was left bare. You can see the ash glaze over the flashing slip as a slight grayish brown coating. At high temperatures in the kiln, the feldspar crystals in the clay break through the surface and melt into little white globules.

I enjoy this texture very much and have been using this clay in my "sandwich" technique. (See earlier post). Paperclay allows me to incorporate this "regular" clay into my paperclay sculptures.

Ikebana, Ceramics & Swordsmanship

I recently completed a short 5 session class in the Sogetsu style of Ikebana (Japanese flower arrangement) at the Irvine Fine Arts Center conducted by Takeichi Haruko Sensei. This picture was taken in class (2nd week) after we completed the arrangement, but before the Sensei came around (with her clippers in hand!).

I enjoyed the class tremendously. The 5 weeks went by so quickly. The ceramic vase I made fitted the style of the arrangement so I used it. It's a high fire Kazegama style firing (ash firing), invented by Steve Davis of Aardvark. The vase is about 12" high, made out of paperclay, flashing slip was applied to the surface of the piece in the greenware stage. The texture you see is actually left over dried paperclay that is "glued" to the vase with paperclay slip. The texture and colors came out beautifully in this piece.

One thing that struck me were the quotes Takeichi Sensei shared with us. Even though it came from the Ikebana perspective, with my training in Japanese swordsmanship I now better understand  what my sword Sensei (Katsuse Sensei) was trying to tell me. My two favorite quotes from Takeichi Sensei:

1. When a man cuts the pine tree, it is no longer a pine tree. It has become the man.

2. Even if you are a beginner in Ikebana, and you have a small vase, make your arrangement big. Do not let the size of the vase limit you.

Hearing those words for the first time I smiled inside and I thank Katsuse Sensei, "Now, I'm beginning to understand a little bit."

It is incredible the feeling you get when you view these flowers and arrangement in your home. The spirit from these humble flowers that so many of us take for granted fills one's heart and definitely fills the room.